I've spent the day in the studio
'printing' the work for corridors around the rooms that house the microscopy
labs in the materials science and metallurgy
building on the West Cambridge site - looking good
Showing posts with label space. Show all posts
Showing posts with label space. Show all posts
Tuesday, 16 May 2017
Friday, 12 May 2017
testingtestingandthinking
Spent
most of today in Cambridge measuring and testing out work in the spaces that
I'm attempting to display work in. I could not of done this without the support
and positive energy of a number of individuals who have got involved in this
project - everybody is so positive and helpful - I genuinely think that it's
going to look splendid. From the austere
blank corridors around the microscopy labs in the materials science and
metallurgy building to the Maxwell museum cases via the coffee areas of the
Maxwell Centre and modern glass cases in the Cavendish. The work covers a range of activities and I
have been trying to use the opportunity of exhibiting to extend their
usefulness/meaning.
Thursday, 20 April 2017
don'ttouch
The
idea that we don't actually touch anything, that we have to think about what we
mean by touch has been in my head today. One of the main ideas I have
encountered within the residency is that at a nano level our world is concerned
with, in fact defined by forces. If we think about making sense of the world in
this way, of defining our relationship between things within the context of
forces it is mind altering. The 'space between', the 'negative space' is
something that I have been working with but my thinking has been concerned with
trying to map the space within an articulated object which can be changed. I've
been considering this concept at a smaller structural level - this video is
really helpful to gain an understanding of close packed structures https://www.youtube.com/watch?v=CsnNbuqxGTk I've been thinking about this idea within
the context of electron microscopy and in turn I have been making links with the
idea of the 'empty space' between atoms within material. Although not actually
empty - as it appears to be about flow, the constant exchange of forces,
plasmonics. Which links back to the initial
structures I've made - could the functionality of the structures, with their specific
movements, determined by their structure, be a way of looking at the mapping of
this flow?
Thursday, 30 March 2017
e m p t y s p a c e i s r e v e a l e d
The latest series of pieces
explore and in some way expose the 'empty space' that is revealed. After being poured
and set plaster is taken out from the cardboard mould, often too early as I am in
too much of a hurry to see the results. Next the initial wax form is removed
from the plaster, thus the space (wax) within the space (plaster), sitting
within the initial space (cardboard) is revealed.
Wednesday, 29 March 2017
startingpointstothinking
There are endless starting points for lines of enquiry,
almost to the point of becoming overwhelming. Using the lab based experimental
science practice I have been exposed to as a starting point I have created a
number of experiments which have manifest themselves within an array of
outcomes - films, objects and prints. The flow diagram explains some of the
thinking and lays out the order of activity.
From observing the hand movements within the lab when
explaining scientific processes I had developed a number of articulated
structures that were to be manipulated in the hand.
Electron microscopy sets out to map surfaces by 'firing'
matter at the material they are investigating, the evidence of this activity is
mapped. Extrapolating the space between surface and probe provides data to make
sense of the surface.
I am currently following a line of enquiry that looks at
this space between, making physical something that cannot be seen by casting
the negative space of the folding structures that explored the hand gestures,
fixing a moment in time.
I have developed the articulated structures into static 3D
forms by fixing the shapes, transforming the nets into boxes and casting their
internal spaces. I have been looking at casting the space around the negative
forms so that the 'empty space' is revealed.
Tuesday, 28 March 2017
theabsenceofsomethingdoesnotmeanthereisnothing
A day at Laurence Edwards studio last week casting
empty space -
the absence of something does not mean that
there is nothing. The current question is
to think about what effect this space or nothingness has on the material one is
looking at. I continue to be fascinated by the idea of the forces around and
within us that we are unable to see, feel or most of the time envisage. This
is both a physical idea and a psychological concept. How theoretical and
philosophical thinking is underpinned by science is something I hadn't fully
comprehended or if I did I would of being unable to articulate this thought.
There is a continuous sense of observing
one element of an issue only to miss another important aspect and of course I
would need to define the role and factors that determine important to continue
this conversation. The defining of thoughts and intentions have become both
rigorous and all expansive simultaneously.
listening to the podcast invisibilia - I came across work
undertaken by Professor Adam Galinsky including his thoughts on enclothed
cognition - Do clothes affect how people think and
behave? My earlier thoughts about the lab and the items worn within came back
to me. These led to the creation of capes and the question - Could an
improvement in thinking/creativity take place if Art Capes were worn? http://www.sciencedirect.com/science/article/pii/S0022103112000200 there might actually be some science
supporting this thought/feeling, although the painter = nuts hypothesis is a
little alarming!
Thursday, 2 February 2017
3Dspacesrealandimagined
The films on
the screens in the Maxwell Centre look fantastic, it's great to have a physical
space to put them and be able to watch reactions as people walk past. Meanwhile
I'm slowly gathering people to work with - the project is extending into 3D
printing, we are looking at creating a series of twisted spaces that are almost
unimaginable without 3D software. I've been working with Google Sketch up and I
love the idea that the structures in the soft-wear both exist and don't, or
more correctly they exist in two states simultaneously. This visualisation of
imagined spaces links neatly with the idea of the void and my attempts to cast
spaces that one can't see. As ever what is wonderful about the shared spaces in
The Maxwell is that somebody inevitably walks past and a dialogue is struck up,
this really is how learning takes place. Today I was informed that I'm working
on things called antiprisms - who knew -
wonderful, this led to researching and developing new structures with a richer
understanding as a result. Another conversation led to thoughts about
crystallography, notions of symmetry and pattern making through convergent beam
diffraction. The idea that the categorisation of objects taking place through
observable functionality can lead to connecting with textile design is something
I didn't start the day with. Next week I
have organised to put some of the 3D work in cabinets, this will, in my mind replicate
the effect of the clean rooms, placing objects within defined spaces for the
purposes of observing.
Labels:
3D,
antiprism,
dialogue,
exhibiting,
film,
google sketchup,
objects,
sculpture,
space,
talking
Wednesday, 1 February 2017
fillingspace
I
spent the afternoon yesterday at the studio of sculptor Laurence Edwards casting
negative space - it's a great place to think and time there allowed me the
opportunity to play with 'traditional' materials. Working with the idea of unseen
spaces I've been casting the volume within the folded structures - transforming
the folded flexible structures into fixed vessels has made me rethink the idea
of book as container of knowledge. I have created a number of forms that I have
poured ideas into but it's rigidity and lack of physical transformation is
something that I'm working with. Today is to be all about catching up, following
up and building connections.
Monday, 30 January 2017
voidwork
I've been spending time reflecting on, taking a
closer look and rethinking the moulds as work in themselves - a sort of
proto-potential space I'm thinking about how in the mind the void is
'completed' or filled.
Friday, 27 January 2017
waxthespacebetweenwaximagery
Friday, 20 January 2017
theideaofnegativespace
I
have been thinking about the stuff that we don't think about..... the spaces
between things.....the idea of negative space....the space of reading.....the
idea of the void.....the question of volume. All this thinking has manifest itself
in me creating a range of structures, making them into vessels which also made
them static, taking them into my studio and
casting in wax the spaces within the folded structures. The ideas, both conceptual and practical are embedded within the pieces in a kind of venn diagram mash up. Working over the day I
have managed to take half of them out of the moulds and the other pieces are
still cooling.
Sunday, 27 November 2016
plannedhappenstance
Friday saw a morning of probing at a probe station, a
tool within a sealed box within a room. The idea of trying to manipulate and
measure with rules and laws to the fore, scraping off polymers to reach gold,
to test voltage, checking resistances and marvelling at how the small (the very
small, it always is) differences in the thickness of the polymer results in a
range of colours that relate to light waves....
I gave a short presentation to share initial thoughts and
some ideas I have been working on - a mini 'this is what I've been up to' presentation
- I have slotted in youtube links to the moving image work. It was nice to
share as everybody has been so thoughtful and open, supporting and enabling.
Here is a link http://www.slideshare.net/l.bicknell/seeing-is-disbelieving-with-links
Wednesday, 16 November 2016
gloveboxfetish
I
never cease to be amazed during my time at NanoDTC - the generosity of spirit I
encountered today was breathtaking - to start....clean room madness and yes I
got to have a go wearing the gloves in the box - it was so difficult to
manipulate the samples - I have seen and engaged in the tasks that are repetitive
pippet work and spin coating before but actually doing it through 3 layers of gloves
within a nitrogen pressured space whilst just sweating was another experience.
More than ever I want to try and manipulate my structures within this space.
There were some excellent 'minimal' structures created to enable currents to
flow through which will go on to inform the shapes of the devices I want to
make. The work around the hand gestures continues and I made many short videos
that I will work on later. It's obvious but each person's personality comes
through the movement as well as the content of the information conveyed. The
afternoon was the NanoDTC showcase - 30 presentations of individuals who would
like to become associates. There were some familiar faces in the audience from
the Autumn School which felt like I had some form of extended connection. It
was fascinating watching these bite sized moments of humanity, again incredibly
professional and worthy (in a good way). But - do we judge the science or the
person? What will be the best fit? I enjoyed their general commitment to making
the world a 'better' place and reflected on the practical aspects of that.
There were some good attempts and actual examples of a commitment to
communicating science to a wider community and this expansion of knowledge is
something to consider both here but also to discuss later. They will also have
to be a conduit between the wide range of students but there is a desire on
most people's part to engage with others. When you are in the presence of a
good presentation it actually lifts you, even though the full content isn't
fully understood. Presentations of knowledge transfer next - some examples of
existing projects and some that wish to be considered. Again the range of
applications is vast and worthy. I am left thinking about a comment in an
earlier practical about how to determine your PHD direction - the idea of
deciding to explore a reproducible/replicable process and that of a more 'one
off' theoretical process that might be derived from one afternoon in the lab
and the data collected in that session. There is so no right answer.
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